One of the main strengths of the Blackmagic RAW is the ability to process all the de-mosaic (the process which turns the sensor data into image) calculations inside the camera instead of using the computer’s CPU, which leads to higher data management efficiency, faster playback and rendering.Īs stated by Blackmagic: “RAW codec that moves part of the de-mosaic processing from the computer’s CPU into the camera itself, resulting in incredibly efficient encoding for an entirely new high performance RAW experience. In-camera de-mosaic: faster playback and rendering That’s a real achievement 12 bit RAW in a ProRes HQ bitrate.

The file size can be comparable to ProRes HQ. The Blackmagic RAW comes in compression rates: 3:1, 5:1, 8:1, 12:1.įor reference, the 3:1 is around 120 Mb/sec (equivalent to 10 bit codec), which means a very small file size comparing to the high quality of the image. It can be used from acquisition throughout post production for editing and color grading, all from a single file”īlackmagic RAW has been in development for years and is a next generation hybrid codec that features multiple new technologies such as an advanced de-mosaic algorithm, extensive metadata support, highly optimized GPU and CPU accelerated processing 12 bit RAW in a ProRes HQ bitrate

That is why Blackmagic wanted something more usable but RAW-able.ĪS stated by Blackmagic: “Blackmagic RAW has been in development for years and is a next generation hybrid codec that features multiple new technologies such as an advanced de-mosaic algorithm, extensive metadata support, highly optimized GPU and CPU accelerated processing and more. Working with CinemaDNG was a pain since this codec is far from being production friendly. The new codec was developed as a results of the cumbersome and complicated based still frames – CinemaDNG which is just a container of pixels. It’s not just a codec but a whole new technology.Īccording to the company, the new codec has been developed for 2.5 years, maybe even before the idea of the newly announced ProRes RAW codec was born. Just after the Hollywood Professional Association ( HPA) has decided to reward DaVinci Resolve 15 as one the recipients of their 2018 Engineering Excellence Awards, due to Resolve’s outstanding technical and creative ingenuity in media, content production and finishing, they announced the new codec named Blackmagic RAW. The guys at Blackmagic Design don’t sleep. Read below to explore more about this codec and what is unique comparing to other similar codecs like CinemaDNG and ProRes RAW. Indeed they are very proud with this new (and dramatic) technology. Blackmagic Design admits that Blackmagic RAW is one of their biggest announcement yet.

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